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[personal profile] deckardcanine
We’ve gotten used to sequels,
Which are sometimes more than equals
To their semi-classic predecessor fare;
But remakes get us groaning,
‘Cause the writers must be phoning
In their work to use a plot already there.
It’s really not essential,
Even with untapped potential
In the sources, as with up-to-date effects
Or modern all-star casting
(Actors want a role that’s lasting)
Or more violence, profanity and sex.
When people see a menu
Of what’s coming to their venue,
They may ask, “Is their idea well running dry?”
Me, I find the question funny:
If you followed all the money,
Then you wouldn’t have to ask the reason why.

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Stephen Gilberg

February 2026

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